Impressionism (Art of Century) [Hardcover] 印象派艺术作品集（精装）(ISBN 9781844847433) pdf 在线 2025 epub 免费 书籍 下载

"I paint what I see and not what it pleases others to see." What other words than these of edouard Manet, seemingly so different from the sentiments of Monet or Renoir, could best define the movement of Impressionism? Without a doubt this singularity was explained when, shortly before his death, Claude Monet wrote: "I remain sorry to have been the cause of the name given to a group the majority of which did not have anything Impressionist." In this work, Nathalia Brodskaia examines the contradictions of this late 19th century movement through the paradox of a group who, while forming a coherent ensemble, favoured the affirmation of artistic individuals. Between academic art and the birth of modern, non-figurative painting, the road to recognition was long. Analysing the founding elements of the movement, the author follows, through the works of each of the artists, how the demand for individuality gave rise to modern painting.

暂无相关目录，正在全力查找中！

暂无相关内容，正在全力查找中

暂无出版社相关信息，正在全力查找中！

暂无相关书籍摘录，正在全力查找中！

在线阅读地址：Impressionism (Art of Century) [Hardcover] 印象派艺术作品集（精装）(ISBN 9781844847433)在线阅读

在线听书地址：Impressionism (Art of Century) [Hardcover] 印象派艺术作品集（精装）(ISBN 9781844847433)在线收听

在线购买地址：Impressionism (Art of Century) [Hardcover] 印象派艺术作品集（精装）(ISBN 9781844847433)在线购买

暂无原文赏析，正在全力查找中！

书籍介绍

"I paint what I see and not what it pleases others to see." What other words than these of edouard Manet, seemingly so different from the sentiments of Monet or Renoir, could best define the movement of Impressionism? Without a doubt this singularity was explained when, shortly before his death, Claude Monet wrote: "I remain sorry to have been the cause of the name given to a group the majority of which did not have anything Impressionist." In this work, Nathalia Brodskaia examines the contradictions of this late 19th century movement through the paradox of a group who, while forming a coherent ensemble, favoured the affirmation of artistic individuals. Between academic art and the birth of modern, non-figurative painting, the road to recognition was long. Analysing the founding elements of the movement, the author follows, through the works of each of the artists, how the demand for individuality gave rise to modern painting.