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Book Description

Here, firmly rooted in her own social setting for the first time, is the real Jane Austen--the shy woman willing to challenge convention, the woman of no pretensions who nevertheless called herself "formidable," a woman who could be frivolous and yet suffer from black depressions, who showed unfailing loyalty and, in the conduct of her own life, unfailing bravery. In an act of understanding and brilliant synthesis, Claire Tomalin reveals Jane Austen with a clarity never before achieved, one which makes us look upon her novels with fresh and even greater admiration.

The world she wrote about--that place of civility and reassuring stability--was never quite her own. As Tomalin shows, Jane Austen's family existed on the very fringe of the world she described in her fiction, struggling to get ahead with little money and no land in the competitive society of Georgian England, sometimes succeeding but often failing with painful consequences. New research in family papers has yielded a rich, tragicomic picture of the Austen clan--their ambitions, their matrimonial alliances, their exotic connections with India and France. At the same time, Tomalin's explorations in local archives reveal a surprising view of the neighbors the family lived among in Hampshire, more extravagant and eccentric by far than anyone depicted in Austen's books. We realize how much closer her genius lies, in its splendid artifice, to the great comic operas of Mozart than to the main tradition of the English novel.

But it is in the deeply human portrait of Jane Austen herself that this biography excels. The honesty and directness of her personality (perfect heroines made her "sick and wicked"), her strength in giving up a chance at marriage to follow the path her vocation as a writer required her to take, the warmth and long consistency of her relationship with her sister, Cassandra, the poignancy of her death--Claire Tomalin here captures, with unforgettable skill, the living character of a great writer who is read, reread, read again, and adored, now more than ever.

Amazon.com

The author of Pride and Prejudice, Persuasion, and other comedies of manners gets a biography similar in tone to her own books: intelligent but not intellectual, witty without being nasty. Claire Tomalin, author of four previous biographies of notable British women, treats Jane Austen (1775-1817) with the respect her genius deserves. Tomalin eschews gossip and speculation in favor of a sober account of the writer's life that nonetheless sparkles with sly humor. Perceptive analyses of each of Austen's novels, with autobiographical links suggested but never insisted upon, add to the value of Jane Austen: A Life.

From The New York Times

In her marvelous new biography of Austen, the English writer Claire Tomalin strips away this mythology to reveal a tough, humorous and highly resourceful woman. She not only depicts a life that was considerably more worldly than commonly supposed, but also delineates an emotional experience "full of events, of distress and even trauma," which permanently shaped Austen's apprehension of the world.... Writing in vivid, authoritative prose, she does a masterly job of delineating the complex emotional mathematics of the Austen clan, showing us the bonds of rivalry, affection and dependence that linked Jane with her sister and six brothers, and their myriad cousins.... Ms. Tomalin has pulled off something very difficult: She has written a biography that reflects Austen's own exacting standards, a book that radiates intelligence, wit and insight.

　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　Michiko Kakutani

From Kirkus Reviews

The second major Austen biography of the season expertly places the great novelist in her historical moment, without attempting to fully plumb her psyche. Austen, writes Tomalin (The Invisible Woman: The Story of Nelly Ternan and Charles Dickens, 1991, etc.), ``has a way of sending biographers away feeling that, as Lord David Cecil put it, she remains `as no doubt she would have wished--not an intimate but an acquaintance.' '' Tomalin does indeed fall short of conveying the kind of three-dimensional portrait so painstakingly achieved by David Nokes in his recent Austen biography (p. 1012). She speculates on how the novelist's sojourn with a village wet nurse affected her in infancy, on how she handled heartbreak as an adult, and on the impact of the various family crises that marked her later life--guesswork being of the essence for the Austen biographer, given that most of her correspondence was destroyed by her family after her death. But Tomalin doesn't convince with her tentative explanations of what made Austen tick. Be it somewhat lacking in depth, however, the sketch of the famous author that emerges from Tomalin's unassuming, lucid, and concise account of Austen's family life and of her meteoric rise to fame in her last years does do justice to the integrity of her complex character. Her mobile intelligence and biting humor come across smartly. What's more, Tomalin offers impressive accounts of the evolution and meanings of Austen's novels, and of how she and her works related to their literary antecedents, from Samuel Johnson to the popular novelist Charlotte Smith, and to their historical context of revolution and war. Nice historical detailing--attention, for example, to the expense of the paper on which Austen wrote--adds period flavor. Recommended for those seeking a brief introduction to Austen's life, times, and work; those wishing to burrow deep into the author's consciousness will want to consult Nokes.

From Library Journal

Despite only a few surviving personal papers and letters, no autobiographical notes, and no diaries written by Jane Austen, attempts to piece together the life and personality of the author abound. An experienced biographer, Tomalin makes do by focusing more on the Austen family, acquaintances, and friends than on Austen herself, forthrightly acknowledging, "It is only because of her writing that we think them worth remembering; and yet she is at almost every point harder to summon up than any of them...she is as elusive as a cloud in the night sky." Like David Nokes's recent biography, Jane Austen (LJ 9/1/97), Tomalin's presents an engaging story of the life and times of the Austen family. Although Tomalin's biography is not as detailed as Nokes's, it offers a freshness in its attention to, and compassion regarding the child-rearing practices of the Austens, the physical demands on child-bearing women, and to the portrayal of Austen's will, determination, and energy in her final days. Recommended for literature collections for its perspective and minimal speculations.

　　　　　　　　　　　　　　　　　　　　　　　　　　Jeris Cassel, Rutgers Univ. Libs., New Brunswick, N.J.

From AudioFile

This is a beautifully lucid and balanced biography in which the biographer is not afraid to appear as a personality. The text is always informed by a keen, but never obsessive, awareness of what can and cannot be known about an intensely private and not very well documented individual. Donada Peters would, one senses, read an Austen novel splendidly. Occasional quotations hint at a considerable command of character voices. She is an ideal voice for this biography, which is written with Austen-like clarity and which wears its solid scholarship lightly. Here is an ideal companion to an Austen collection. J.N.

About Author

Claire Tomalin is the author of several prize-winning biographies--of Mary Wollstonecraft; Katherine Mansfield; Dickens's secret mistress, Nelly Ternan; and Dora Jordan, the actress who for twenty years was companion to the future George IV. Educated at Cambridge University, she served as literary editor of the New Statesman and The Sunday Times. Claire Tomalin lives in London and is married to the playwright Michael Frayn.

Book Dimension :

length: (cm)20.2 　　　 　　　　　 　 width:(cm)13.1

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奥斯丁太太和大多数人一样，相信幼儿需要的不外乎合理的清洁，吃饱穿暖，直到他们的智力开始发展。同时代另一位母亲的记述：“想法设法摆脱他们（孩子们）的烦恼，他们此时只如植物，稍后也不过如同动物。”

她的信滔滔不绝，像闹剧里的念词，没有情感、温柔或者悲愁都可以渗透剂来。它们从不停顿、沉思，只一味赶场，尽快地从一个念头转换到另一个念头。

她对军舰上的暴力，对暗中掩护东印度公司的行径，对外国势力的霸道交易一无所知，也无从评论。她看见的，只是一个严肃、敏锐、行为端庄的哥哥，在海上专心一意为国效劳，因此在家中也应当得到欢乐。

在这最后一页的空间里，我必须回归她自身。回到那个孩子：她曾在书籍的避难所中找到一个新世界，比她摸索的现实世界更有意义。回到一个女孩：当她发现自己创作故事的可能之后，她的想象力起航，飞往惊人的方向。

回到一个充满活力、喜欢跳舞、爱说笑话的年轻姑娘，她也曾梦想有个丈夫，虽然她已决定将全部心力投入写作。

回到一个二十五岁的少妇，她对人失望，对写作失去兴趣，曾梦想有个舒适的婚姻，即使没有爱情，但她终于还是放弃了这个念头。

回到一个富有爱心的姐妹和姑姑，她一心顾念家人，纵然有时也盼望独自一人的安宁，供她思考和创作。

回到一个女人，她与女家庭教师为友，关心仆人。

回到一个作家，她成就辉煌，技艺高超。而在垂死的边缘，她鼓起勇气，通过写作，直面死亡，与之搏击。

回归人，她宁愿沉默，也不愿对心爱之人的言行作任何批判，而对他人的言语，她笔之于书，一读再读。

这便是我心目中最喜爱的奥斯丁形象，对全世界的意见付之一笑。幸运的是，她拥有那么多的笑端。如今，关于她的评论浩如烟海，足够她永远取笑。

书籍介绍

在线阅读本书

Book Description

Here, firmly rooted in her own social setting for the first time, is the real Jane Austen--the shy woman willing to challenge convention, the woman of no pretensions who nevertheless called herself "formidable," a woman who could be frivolous and yet suffer from black depressions, who showed unfailing loyalty and, in the conduct of her own life, unfailing bravery. In an act of understanding and brilliant synthesis, Claire Tomalin reveals Jane Austen with a clarity never before achieved, one which makes us look upon her novels with fresh and even greater admiration.

The world she wrote about--that place of civility and reassuring stability--was never quite her own. As Tomalin shows, Jane Austen's family existed on the very fringe of the world she described in her fiction, struggling to get ahead with little money and no land in the competitive society of Georgian England, sometimes succeeding but often failing with painful consequences. New research in family papers has yielded a rich, tragicomic picture of the Austen clan--their ambitions, their matrimonial alliances, their exotic connections with India and France. At the same time, Tomalin's explorations in local archives reveal a surprising view of the neighbors the family lived among in Hampshire, more extravagant and eccentric by far than anyone depicted in Austen's books. We realize how much closer her genius lies, in its splendid artifice, to the great comic operas of Mozart than to the main tradition of the English novel.

But it is in the deeply human portrait of Jane Austen herself that this biography excels. The honesty and directness of her personality (perfect heroines made her "sick and wicked"), her strength in giving up a chance at marriage to follow the path her vocation as a writer required her to take, the warmth and long consistency of her relationship with her sister, Cassandra, the poignancy of her death--Claire Tomalin here captures, with unforgettable skill, the living character of a great writer who is read, reread, read again, and adored, now more than ever.

Amazon.com

The author of Pride and Prejudice, Persuasion, and other comedies of manners gets a biography similar in tone to her own books: intelligent but not intellectual, witty without being nasty. Claire Tomalin, author of four previous biographies of notable British women, treats Jane Austen (1775-1817) with the respect her genius deserves. Tomalin eschews gossip and speculation in favor of a sober account of the writer's life that nonetheless sparkles with sly humor. Perceptive analyses of each of Austen's novels, with autobiographical links suggested but never insisted upon, add to the value of Jane Austen: A Life.

From The New York Times

In her marvelous new biography of Austen, the English writer Claire Tomalin strips away this mythology to reveal a tough, humorous and highly resourceful woman. She not only depicts a life that was considerably more worldly than commonly supposed, but also delineates an emotional experience "full of events, of distress and even trauma," which permanently shaped Austen's apprehension of the world.... Writing in vivid, authoritative prose, she does a masterly job of delineating the complex emotional mathematics of the Austen clan, showing us the bonds of rivalry, affection and dependence that linked Jane with her sister and six brothers, and their myriad cousins.... Ms. Tomalin has pulled off something very difficult: She has written a biography that reflects Austen's own exacting standards, a book that radiates intelligence, wit and insight.

　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　　Michiko Kakutani

From Kirkus Reviews

The second major Austen biography of the season expertly places the great novelist in her historical moment, without attempting to fully plumb her psyche. Austen, writes Tomalin (The Invisible Woman: The Story of Nelly Ternan and Charles Dickens, 1991, etc.), ``has a way of sending biographers away feeling that, as Lord David Cecil put it, she remains `as no doubt she would have wished--not an intimate but an acquaintance.' '' Tomalin does indeed fall short of conveying the kind of three-dimensional portrait so painstakingly achieved by David Nokes in his recent Austen biography (p. 1012). She speculates on how the novelist's sojourn with a village wet nurse affected her in infancy, on how she handled heartbreak as an adult, and on the impact of the various family crises that marked her later life--guesswork being of the essence for the Austen biographer, given that most of her correspondence was destroyed by her family after her death. But Tomalin doesn't convince with her tentative explanations of what made Austen tick. Be it somewhat lacking in depth, however, the sketch of the famous author that emerges from Tomalin's unassuming, lucid, and concise account of Austen's family life and of her meteoric rise to fame in her last years does do justice to the integrity of her complex character. Her mobile intelligence and biting humor come across smartly. What's more, Tomalin offers impressive accounts of the evolution and meanings of Austen's novels, and of how she and her works related to their literary antecedents, from Samuel Johnson to the popular novelist Charlotte Smith, and to their historical context of revolution and war. Nice historical detailing--attention, for example, to the expense of the paper on which Austen wrote--adds period flavor. Recommended for those seeking a brief introduction to Austen's life, times, and work; those wishing to burrow deep into the author's consciousness will want to consult Nokes.

From Library Journal

Despite only a few surviving personal papers and letters, no autobiographical notes, and no diaries written by Jane Austen, attempts to piece together the life and personality of the author abound. An experienced biographer, Tomalin makes do by focusing more on the Austen family, acquaintances, and friends than on Austen herself, forthrightly acknowledging, "It is only because of her writing that we think them worth remembering; and yet she is at almost every point harder to summon up than any of them...she is as elusive as a cloud in the night sky." Like David Nokes's recent biography, Jane Austen (LJ 9/1/97), Tomalin's presents an engaging story of the life and times of the Austen family. Although Tomalin's biography is not as detailed as Nokes's, it offers a freshness in its attention to, and compassion regarding the child-rearing practices of the Austens, the physical demands on child-bearing women, and to the portrayal of Austen's will, determination, and energy in her final days. Recommended for literature collections for its perspective and minimal speculations.

　　　　　　　　　　　　　　　　　　　　　　　　　　Jeris Cassel, Rutgers Univ. Libs., New Brunswick, N.J.

From AudioFile

This is a beautifully lucid and balanced biography in which the biographer is not afraid to appear as a personality. The text is always informed by a keen, but never obsessive, awareness of what can and cannot be known about an intensely private and not very well documented individual. Donada Peters would, one senses, read an Austen novel splendidly. Occasional quotations hint at a considerable command of character voices. She is an ideal voice for this biography, which is written with Austen-like clarity and which wears its solid scholarship lightly. Here is an ideal companion to an Austen collection. J.N.

About Author

Claire Tomalin is the author of several prize-winning biographies--of Mary Wollstonecraft; Katherine Mansfield; Dickens's secret mistress, Nelly Ternan; and Dora Jordan, the actress who for twenty years was companion to the future George IV. Educated at Cambridge University, she served as literary editor of the New Statesman and The Sunday Times. Claire Tomalin lives in London and is married to the playwright Michael Frayn.

Book Dimension :

length: (cm)20.2 　　　 　　　　　 　 width:(cm)13.1